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Technology – Multitasking Made Complicated

I sit here tonight with my feet propped up admiring the advances in technology.  From my little piece of an overstuffed couch using a MacBook Pro attached to a lightning-fast wireless 4G network I can create tomorrow’s article, correspond with one of my worship mentoring students in another country, plan out an Easter service and more.  Recently, I planned an entire worship service, sent emails to all who would be playing on that given Sunday and sent them music and charts…all from my iPhone.  Technology is great – but it has, regrettably, taught me to do one thing all too well: Continue Reading…

What We Sing – What They Hear

Can we sing songs so much that they just become…second nature?  Can we take our churches through so much of a rut by keeping the same cycle of songs that we fail to challenge the passions and flames of our congregants?  Look deeply within…or just laugh at the hilarity – and share your thoughts below!

Are We STILL Not Beyond “Sloppy Wet Kisses”?

I referenced a Podcast about other songs that people have taken issue with over the years…take a listen to the podcast below and see if some of these songs dont surprise you.

Why Your Congregation Isn’t Singing That Cool New Song

So you’ve heard a truly awesome song from Hillsong United or Charlie Peacock or you’ve stumbled on the latest song from Carlos Whittaker – now you want to play it Sunday in your lineup.  GREAT!  Who knows if the Spirit may reach someone in your congregation like it reached you…or is that the reason you want to play it?

Perhaps it has a cool back-beat, and awesome riff for guitar, a melodic line that fits your voice perfectly.  If that’s the case, we probably need to re-evaluate doing the song to begin with and this article isn’t for you to begin with.

If the reason is that you honestly feel that the song fits your community (your congregation) – then let’s press on.

Continue Reading…

Fillng The Gaps – The Rule of 100%

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(I originally wrote this article back in February of last year – but wanted to touch on it again as I feel that it is worth sharing with your entire worship team.  I found a great video from Paul Baloche that perfectly illustrates each point.  Stay tuned for it after the article…then share your thoughts in our comments section!)

One of the most difficult things to do sometimes as a worship musician is to learn that your instrument is not the most dominant force in the band.  It is a scenario that plays out everywhere on Sundays across the globe:  a worship leader who leads playing piano knows exactly where all 88 keys are and plans to use them all at least once;  a guitarist who has one volume…loud; a drummer who loves his fill-ins….no, I mean REALLY loves them…and plays them often during verses and all throughout the chorus – usually in about ten different tempos.

Don’t laugh – you may be one of them and you just don’t know it.  If I were to be asked what I look for in a worship musician – it is maturity…plain and simple.  That maturity doesn’t come with age – it comes simply by knowing how to fill in the gaps with his or her instrument and understands that they are but a piece of a large puzzle.

How do you reach this maturity?  One of the biggest pieces of advice I can give is to learn one simple concept:

“Our worship team has to give 100% – but not every band member can be that 100%.”

This is better known as the 100% Rule.  Think about it in this manner – take, for instance, “The Heart of Worship”.  Let’s assume we have a four piece band – acoustic, electric, bass, and drums.  What if each band member played their instrument at it’s max potential?  What if the lead guitarist shredded a solo in every measure or just power-chorded the whole lot?  What if we added a bass guitarist who deviates from the root notes and opted to explore every string of his bass at every fret?  Add to that an acoustic player who strums the same rhythm throughout the song…loud and proud.  To top it all off, we have a drummer who thinks the song he is playing is “Wipe Out”.  The song would sound strange, wouldn’t it?

If each member of the band realizes that he or she is merely a portion of that 100%, then we get a completely different sound and fill.  Nothing sounds out of place.  Everything melts together and each part fills a different space.

Sometimes, making that 100% means pairing a bass player with a drummer that already have a great communication down.  To me, as a worship leader, these are the two most important parts of the 100%.  If the bass and drummer can’t find a grove together and play “in the pocket” – you can forget about anything else falling in perfectly.

Sometimes that 100% means saying something like this to your piano player before you rehearse.  ”Here’s something I want you to try for this song : During this song, I want you to leave your left hand completely off the keyboard.  The bass can take care of the root – I want you to find those perfect moments to fill in a space in the music some soft arpeggios.”

Sometimes it means telling a lead guitarist to not play at all for a portion of the song and find appropriate spaces for some casual diamonds.  If you have two guitarists it may mean ensuring that, if one is playing in the 1st position, that another is playing a different shape higher on the neck.

We are all pieces of a greater puzzle.  Searching for creative ways to fill a different portion of space and, sometimes, knowing when to just be silent – are some of the best characteristics that a mature worship musician can possess.  What piece of the space will you fill this Sunday?

 

Pitch, Swing, & Miss … Setting Proper Keys in Worship

How To Properly Introduce New Worship Songs

Don’t Spoil The Magic

It’s All How You Look At It

Do You Talk Too Much?

From Gordon Moore, serving in Spain

QUESTION:Talk Much?

“Do you talk much when leading worship services? Some worship leaders say almost nothing while others talk as much as some preachers. How do you handle that?”

RICK MUCHOW:

Every church has a distinct personality. Just like families, there are similarities between churches, but each church is uniquely individual. Your church’s individuality will depend on your size, the purpose or strategy of your service, your church culture and leadership. The most important of these variables is your Pastor’s philosophy of ministry.

You might think that the most important variable is the Holy Spirit’s leading, and that is absolutely the case. I believe that my role as a worship leader is to serve my Pastor’s philosophy of ministry The Spirit of God leads him, and in that context leads me as well. I’ve said this many times and it continues to be true: my ministry on the platform at Saddleback is more a reflection of my Pastor’s ministry philosophy than of my personality and worship style preference.

When I lead the weekend services at Saddleback, I am free to speak whenever I want and for as long as I want, though obviously we have a service schedule and timeline. If I feel led, I am free to speak. My Pastor also feels the freedom to ask me to talk less when he feels I am talking too much. We work together to balance each service.

There’s an old axiom that I have found useful: Let the singers sing and the speakers speak. For many of us, that’s more about not wanting the speakers to start singing! God has given us all unique gifts to serve Him. We should allow others to use their gifts and we should use ours.

I believe that when I lead worship, the process speaks for me through the way I lead the songs, the songs I’ve selected, the words of encouragement… All of these help me to quickly connect the congregation to the presence of God, and then to fade into the background. I’ve found that short and clear words of encouragement are generally enough for me, though at times I also feel led to and do say more. The Holy Spirit leads on the platform and He can be spontaneous. He also leads just as much during the planning of the service. Chris Tomlin studies his order of service for 2 hours, visualizing how each song leads the congregation closer to the Lord. That is a great example of how the Holy Spirit can be involved just as much as through a spontaneous commentary or encouragement.

My planned speaking at Saddleback generally consists of a friendly welcome, encouragement to participate in the singing, direction to sit and stand, congregational prayer, and when necessary, crowd control such as the Saddleback Shuffle to make room for people coming in. Very rarely will I use speaking to introduce a song. A good song explains itself. A note about encouragement… it’s easy to overdo encouragement. We don’t have to kick the hive to get the honey out.

In the end, people generally don’t remember sermons and information for all that long. People remember sermons best when they are seen or sung. They can remember songs and the truth found in the lyrics for a lifetime. Choose your songs wisely, present them well and you will have more impact on your congregation than you could ever have by speaking.

(Rick Muchow’s articles appear on gotworship.net courtesy of www.encouragingmusic.com If you would like to ask Rick or our editorial staff a question and have it answered here, please send us an email at answerbag@gotworship.net or use the form below to easily send your question to us.)

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